Hello again, I hope there is someone out here!
Well after a long silence I start to write.
To the surprise, I'll start to talk about Anime, but very ligerita and I do not want to call me Otaku.
"Otaku" means "freak" more or less, since it has a touch morbid, unhealthy, antisocial, etc. etc., a sufficiently negative word in Japan.
So I recommend that the Japanese do not say so innocently, "I am Otaku", although today the Japanese otaku are more to include the globalization of culture, anime, a group still unacceptable.
Well, here follow. Hayao Miyazaki
, Mamoru Oshii and Katsuhiro Ootomo , are the most famous Japanese directors in the world of anime today.
Maybe if we talk about the best directors could get more names like Satoshi Kon . But also their reputations are only among Japanese should not forget the names of Keiichi Hara, Mamoru Hosoda , along with the gods of the otaku, Yoshiyuki Tomino and Hideaki Anno.
Well, we started from at the fat, Miyazaki and Oshii, today's topic is
"how to differentiate his work" When the protagonist
is on the edge of a tower high veeeeery, and the enemies are coming, what would you do?
is said here is the difference between Miyazaki and Oshii. Oshii
always looks at what point should keep the realism in his works.
Depending on your level of realism work changes, for example in the television series "Patlabor ", that person is hurt but the next scene is no cure, though in the case of the film version of " Patlabor ", that person is injured and admitted to the hospital, and at worst as any person dies in reality. (For if we speak of "Urusei Yatsura ", the protagonist would sink into the soil to a depth of 1 meter and then would leave the gap filled with medical adhesive strips)
But usually Oshii likes his players to use their wisdom and ability to avoid and overcome the desperate situation before make them jump from the tower.
So prepare some escape (do not forget before further development suggest how to convince the viewers escape) or in advance sends someone to negotiate with enemies, or equips a cyborg protagonist as not to harm you, or just then sends him awakening from a dream. (And makes us think about what is reality)
In summary, the protagonists Oshii's not jump from tower or joke.
However, the protagonists of Miyazaki what happens? Undoubtedly
jump, with great courage .
If you were a boy and a girl, he would take her in his arms and jump.
When they come down, as it transmits the vibration of the coup but then let her go and start to run holding hands.
In Miyazaki's world, a person with courage, strong determination and a lot of kindness should never die. Moreover, the hopeless situation exists not only to overcome it to fail. The efforts of children, especially, always compensate.
miyazaki
's grace is that there are realistic or not, convince us. With its absolute dynamic movement and emotion filled, wins our sympathy. Above all his flying scenes gives me the feeling ...., as I say, "catharsis?
And for the children, their pictures have the power to make them feel, "everything is possible!" as if the girl is above the waves in the movie "Ponyo , something that many children would try this summer at sea. (If I were younger or just anyone to see me, no doubt would try to head)
also the desperate situation is the most awaited moment miyazaki film (as it is when they fly). So if there is possibility that players get hurt or die, viewers (especially parents who bring children to the movies) can not enjoy it quietly for the concerns.
Just this difference is because Miyazaki is a genius artist rather than a filmmaker. For Miyazaki change the script for the convenience of the drawings, which is impossible in the case of Oshii's work.
But that does not mean that the work of Miyazaki has no realism, for example, he sent drawings to rebuild the drops of the wave of "Ponyo " saying that "this type of droplet sinks ship. "
Miyazaki thinks the world of anime should comply with any enthusiasm, so those seeking true realism should do in a normal movie, not anime. Yet on the basis of his works there is some realism (in proportion Ghibli), perhaps convinced that his works also for adults.
Finally, CONCLUSIONS:
If a film is " PUTA MADRE" and the player jumps from a tower but does not die, it is certainly a work of Miyazaki. And if a movie Cojonuda "and the protagonist avoid jumping from a tower as such, is a work of Oshii. Already
ta.
Well, I think that's enough for today, next time I'll talk more about them or start from other works as well as "5cm per second " by Makoto Shinkai or Monster "," Mushishi "," Paprika, "" Mind Game "," Ayakashi "... well ... we'll see.
important thing is to keep writing it?
.
