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The book as a complement to the pen

The option for the pen is a writing option, as I understand it. And when one sets out to write "I do not mean to creative writing, but with this endorsement of what you see, what you think, what you remember, the small pocket book is indispensable. Not always find a role, and if you can find lost runs between the recesses of our pockets. The book, however, is always there, ready to receive our pen strokes scoring a phone, a phrase, a quotation, a scribble or a story. Everything is welcome.

There are people that will eventually make their books on the subject of art, wonder outputs from the hands of those who have something to say and the skills necessary to do so. That's what we found in the moleskine of John Ray, an artist Network sharing in their notes in notebooks that I think are wonderful. I leave the links to two of them:

• Moleskine A. Moleskine
• B.

More examples of wonderful books can be found on You Tube in Moleskineart or certain international exhibitions, such as that of London or the Hong Kong . As you can see, the whole world about the book in general and, specifically, the brand Moleskine in particular.

But the use of the book requires the use of a special pen. The line of it should be fine, very fine, so the letter is not larger and the ink does not protrude through the thin paper. I use to write in my Moleskines a Pelikan 215, a Kaweco Sport or Lamy Studio, all with fine nib. With other nibs I've tried (F Waterman and Faber Castell eMotion or Pelikan M) the result is not entirely satisfactory.


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